March 8, 2018 – Marjie Thompson

17th, 18th and 19th Century Weaving

Brown Horticulture Learning Center Winterthur Museum and Gardens

Marjie Thompson enjoys being “stuck’ in the pre-20th century weaving world. Her focus is the textiles produced both at home and by the professional weavers. Marjie enjoys adapting these weaves to contemporary colors and uses.
She is the coordinator of the Complex Weavers “Early Weaving Books and Manuscripts” study group, past president of New England Weavers Seminar, a past Dean of the Weavers’ Guild of Boston, past president of Complex Weavers, an active guild member Weavers’ Guild of Boston, president of the New Hampshire Weavers’ Guild, and a member of many study groups including Cross Country Weavers.
Her woven pieces have received the HGA award, Handwoven’s Weaving for the Home Award, and Marjie is one of a handful of weavers awarded the “Weaver of Distinction” title from New England Weavers Seminar in both the gallery and fashion shows.
She is the co-author of Forgotten Pennsylvania Textiles of the 18th and 19th Centuries, The Huck Pattern Collection, Miniature Patterns for Weaving by Josephine Estes, and the editor of The Gartner Manuscript. Her articles have appeared in Weavers, Handwoven, Complex Weavers Journal, Shuttle, Spindle, & Dyepot, and The Spinning Wheel Sleuth’s Loom Supplement.



Location: St. Elizabeth Ann Seton Church
345 Bear-Christiana Rd (RT. 7)
Bear, Delaware

The full time will be devoted to our members to share what they have been working on.

This is a good opportunity to bring what you wove at MAFA to share with our members.

The Fabric of life | The Harmony Weavers Guild, September 30, 2017 – January 14, 2018

Founded in 1971, the Harmony Weavers Guild is dedicated to the making of cloth—a process involving time-consuming techniques. Created by hand, the works of art highlight attention to design and detail and to richness of color and of textures. Such features invite the viewer to think about the artist’s process and to appreciate the textiles that are so much a part of everyday lives. The exhibition includes fabrics designed for public spaces, for wearable art, and for the home.

For an in-depth look at the background of the pieces on display, the artists who created them and the techniques and insights they used, browse through our Look Book.

Artists: Toni Ammons, Susan Balascio, Sandy Buckworth, Gail Caron, Perry Drevo, Nancy Everham, Pat Field, Deborah Lewis-Idema, Carol Ireland, Maureen Kamerick, Steffenie Oliver Kirkpatrick, Karen Mason, Harriet Memeger, Sandy Meyer, Gynnie Moody, Jane Porter, Lucy Rosen, Linda Shinn, Wendy Shipman, Karen Schueler and Sonnie Sperati

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Delaware Art Museum


2301 Kentmere Parkway,
Wilmington, DE 19806

Visitor information

Meet the artist

October 29, 2-4 PM

Demonstrations & guided tours

In the “Outlooks” gallery unless otherwise noted.

October 22 1:00 p.m. – 3:00 p.m.
November 5 11:00 p.m. – 1:00 p.m.
November 12 12:30 p.m. – 2:30 p.m. (or longer)*
November 19 1:00 p.m. – 3:00 p.m.
December 9 11:00 p.m. – 1:00 p.m. (or longer)
January 7 1:00 p.m. – 3:00 p.m.

*They will be outside the Museum Store on this day.


Delaware Division of the ArtsSupport was provided, in part, by a grant from the Delaware Division of the Arts, a state agency in partnership with the National Endowment for the Arts. The Division promotes Delaware arts events on


The Delaware Art Museum’s Outlooks Exhibition Series encourages community involvement in the creation of exhibitions that will be hosted by the Museum. The Delaware Art Museum accepts proposals for Outlooks exhibitions from organizations, community groups, and residents of our surrounding area, contributing to the Museum’s mission of providing an inclusive and essential community resource.

All Outlooks exhibitions are displayed in the Ammon Galleries on the Museum’s second floor.

Click here to learn more about the Outlooks Exhibition Series.

Dyeing with Indigo

September program
September 14 – Dyeing with Indigo
Jeanne Frett
Before the advent of synthetic dyes, many native and exotic plants were used as a source of color for fiber. Jeanne Frett will be demonstrating how to gather and process leaves of Japanese indigo (Persicaria tinctorium/Polygonum tinctorium) and other indigo producing plants if available in the sufficient quantities (true indigo-Indigofera tinctoria; Guatemalan indigo – Indigofera suffruticosa: and/or Chinese woad – Isatis tinctoria) from her garden to produce glorious shades of blue.

For those interested, this can be a hands-on-activity. Please wear appropriate clothing and bring a small (1 ounce or less) amount of protein fiber (wool, silk, etc.) to create samples to take home. Indigo does not require a mordant but the fiber should be washed to remove any dirt or grease. They can wash it the day before, squeeze out the extra water, and put it in a plastic bag to bring to the program because it should be moist when entering it into the dye bath. If they’re using commercial yarn, presumably the washing has been done, but it doesn’t hurt to wash it if it has been stored for a long time. However, if they plan to overdye the samples with other natural dyes like coreopsis or madder at a later date, then it should be mordanted.

Carpooling: Jeanne has parking for about 10 cars. We are encouraging people to carpool. If you can’t find someone to come with, Karen Evans will be at Lantana Square parking lot (off Limestone Road near the Hardware store) from 8:15 to 8:30 to facilitate carpooling.

Another carpool location would be Nichol Park, a municipal park in London Britain township, on Rte. 896 just south of Good Hope Road. Just let the township know ahead of time that you will be parking there for a carpool.

Schedule: The program will be held from 9 to 3. If you are coming please bring a folding chair. Please contact Karen Evans by September 12th if you are planning to come to the program, so that we can give Jeanne an idea of how many people to expect. The program will be held rain or shine.
There will be time at 11:00a.m. for a business meeting.


Today is the Harmony Weavers Guild Picnic

Don’t forget to bring your items for the 2017 Delaware Art Museum Exhibition. You’ll need to bring the information form, too.  Here’s the form you need.


MAY 11, 2017
St. Elizabeth Ann Seton Church
345 Bear-Christiana Rd (Rt. 7), Bear, DE 19701

Coverlet Weaver - Gay McGearyGay McGeary has been researching and weaving coverlets for over twenty-years. She is fascinated with nineteenth century coverlet patterns and weave structures and uses her research as her inspiration for her artistic interpretations. In recent years she has concentrated most of her research on coverlets woven by Pennsylvania German weavers who have left a legacy of handwoven coverlets and handwritten pattern manuscripts.
For designing her own work, she combines the interplay of block designs and weave structures with the use of weaving software. She is also fascinated with the fringes used to frame the early coverlets. Some are simple and elegant, while others are more elaborate.
Gay returned in 2005 to her coverlet pursuits. As the chair for the Early American Coverlet Study Group she publishes and writes articles for the group’s newsletter. She also regularly contributes to the Complex Weavers Journal and in the past year has written articles for Shuttle, Spindle & Dyepot. Gay also shares her interests through workshops and presentations.

Visit for more information.



Felisa Weaving
Felisa Weaving

The pozahuanco (also called a nahua) is a traditional wrap skirt worn by the Mixtec women of western Oaxaca, Mexico. It is woven on a backstrap looms
in stripes of blue, purple and scarlet. In its original traditional form, a Mixtec pozahuanco is woven of cotton dyed dark blue with indigo and purple with shellfish, and silk that has been dyed scarlet with cochineal. Today, women also use commercially dyed and spun yarn, but most are still woven by hand on backstrap looms. On a trip to Oaxaca, Steffenie was fortunate to observe, and in some cases participate, in all the phases of fiber production, dyeing, and weaving that ultimately produce a pozahuanco.

The March 9 Guild meeting will be held at St. Elizabeth Ann Seton Church
345 Bear-Christiana Rd (Rt. 7), Bear, DE 19701

Pozahuanco on Line & Puppies
Pozahuanco on Line & Puppies
Teresa and Her Nahua
Teresa and Her Nahua

Snow Day

The scheduled meeting of Harmony Weavers Guild for February 9, 2017, has been cancelled due to the weather forecast.

Our guest speaker will be rescheduled for another date to be announced

Thank you for your understanding.


February Guild Meeting at St. Elizabeth Ann Seton Church


FEBRUARY 9, 2017

St. Elizabeth Ann Seton Church
345 Bear-Christiana Rd (Rt. 7), Bear, DE 19701

Myra Reichel is a hand tapestry weaver. She has been weaving since 1970 and has exhibited weavings and tapestries at museums, galleries, craft fairs, wholesale markets, and other venues. Ms. Reichel had two artist’s residencies through the Pennsylvania Council on the Arts and I has taught classes at the PGHW, The Wallingford Art Center, and the Media Friends School. Ms. Reichel was a student at the Philadelphia College of Art. Myra is listed in Who’s Who
in American Art, was one ofthe top 500 American Craft Council crafts persons on the East Coast for at least five years, and has exhibited in solo and group exhibits in galleries and museums.
Myra’s Tapestries are currently on view at the Workerman Gallery, 4031 Cresson
Street Manayunk, Philadelphia, PA and at the Reiki Healing Center in Media, PA.